Aug
5
to Feb 18

Louisiana Contemporary

  • Ogden Museum of Southern Art (map)
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Ogden Museum of Southern Art first launched Louisiana Contemporary, presented by The Helis Foundation in 2012, to establish a vehicle that would bring to the fore the work of artists living in Louisiana and highlight the dynamism of art practice throughout the state. Since the inaugural exhibition twelve years ago, Ogden Museum has shown works by over 500 artists, making Louisiana Contemporary an important moment in the national arts calendar to recognize and experience the spectrum and vitality of artistic voices emanating from New Orleans and in art communities across Louisiana.

This statewide, juried exhibition promotes the contemporary art practices in the state of Louisiana, provides an exhibition space for the exposition of living artists’ work and engages a contemporary audience that recognizes the vibrant visual arts culture of Louisiana and the role of New Orleans as a rising, international art center.

This year’s guest juror, Aleesa Pitchamarn Alexander, the Robert M. and Ruth L. Halperin Associate Curator of Modern and Contemporary Art at the Cantor Arts Center at Stanford, has selected 45 works by 31 artists from a total of 790 submissions.

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ArtFields 2022
Apr
22
to Apr 30

ArtFields 2022

  • Lake City, South Carolina (map)
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THE SOUTH'S MOST ENGAGING ART COMPETITION AND FESTIVAL

ArtFields started in 2013 with a simple goal: honor the artists of the Southeast with 9 days worth of celebration and competition while revitalizing a small Southern town. The competition and exhibition offers over $100,000 in cash prizes. The winners of two People’s Choice Awards are determined by the votes of people visiting ArtFields; a panel of art professionals selects all the other awards, including the $50,000 Grand Prize and $25,000 Second Place award.

Up to 400 works of art will be on display in locally-owned venues, from renovated 1920s warehouses and professional art spaces such as Jones-Carter Gallery and TRAX Visual Art Center to the library, the history museum, the Ronald E. McNair Life History Center, restaurants, boutiques and other shops. During ArtFields, what was once one of South Carolina’s most prosperous agricultural communities becomes a living art gallery as we recognize, celebrate and share the artistic talent of the Southeast.

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Behind Every Beautiful Thing: Encountering Bodies, Wrestling the Human Condition
Jul
31
to Sep 26

Behind Every Beautiful Thing: Encountering Bodies, Wrestling the Human Condition

  • Contemporary Arts Center (map)
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Following an unprecedented pandemic year, the heightened visibility of health inequity throughout the nation has elevated concerns about mental and physical well-being, the industrialization of medical practices, disease, illness, and (dis)/ability. Featuring multimedia artworks from 36 Gulf South artists, the CAC’s annual Open Call exhibition offers a deeply personal portrayal of artists’ experiences with health and illness, and the reverberating impact on the life, body, and psyche of the individual and their community.

Reserve Gallery Admissions Online

General Admission: $10
Students: $8
CAC Members: Free **

CAC Members: to receive free admissions online: follow the link above, choose the number of admissions, sign in to your account (upper right corner), and the discount will be applied.

MEET THE GUEST CURATOR: DAVID W. ROBINSON-MORRIS, PH.D.

“Behind Every Beautiful Thing: Encountering Bodies, Wrestling the Human Condition”​ has been ​​curated by Dr. David W. Robinson-Morris Ph. D, Founder and Chief Reimaginelutionary at The REImaginelution, LLC, a strategic consulting firm working at the intersections of imagination, policy, practice, and prophetic hope to radically reimagine diversity, equity, and inclusion (DEI) toward racial justice and systemic transformation.  Most recently, he served as the Regional Director of Diversity and Inclusion at Ochsner Health System for the Bayou Region of Louisiana. David is ​also ​the Founding Director of The Center for Equity, Justice, and the Human Spirit at Xavier Universi​ty.​

PROGRAM ACTIVITIES

Exhibition Opening Celebration
Saturday, July 31, 2021
6 – 10 pm | Free and open to the public

Join us in celebrating the opening of our 2021 Gulf South Open Call exhibition with an evening of festivities featuring music by Felice Gee, food, and libations. At 7 pm, join us for a Grounding Ritual and Activation with Soundscape by Funké led by local healer and creative Gia M. Hamilton.

RSVP on Facebook

Gris Gris Lab
July 31 – September 26, 2021

Created by “Gris Gris Mama” Gia M. Hamilton and located inside the CAC's Oval Gallery, the Gris Gris lab is an Afrofuturist Apothecary designed to ground, shift energy, and prepare the viewer to enter the portal and the exhibition. Activations and performances will take place in this space throughout the summer of 2021.

StudioV Virtual Artist Studio Tours

Join us for virtual studio tours featuring Gulf South artists from Behind Every Beautiful Thing. Tours will be hosted online via Zoom by guest curator David W. Robinson-Morris, Ph.D.

August 12 , 2021 at 5 pm CDT, feat. Veronica Ibargüengoitia
September 2, 2021 at 5 pm CDT, feat. Su Ecenia
RSVP information coming soon

Panel Discussion: "Behind Healing and Wholeness: Art + Health"
September 9, 2021
6 – 7:30 pm at the CAC

Join us for a panel discussion featuring artists and health policy-makers, hosted by guest curator David W. Robinson-Morris, Ph.D.
Details coming soon

ABOUT THE EXHIBITION

Curatorial Essay by David W. Robinson-Morris, Ph.D.

Health and happiness have become deeply commodified in our society. Daily we are bombarded with advertisements about how to lose weight, gain happiness, remove signs of aging, numb ourselves to the reality of suffering, and the promise of prolonging the inevitability of this life’s only inevitability—we live and most assuredly we will die. There is so much beauty in-between those two events that mark our beginning and our beginning anew. Yet, as a society we have become so focused on what Foucault terms the aesthetics of our existence: a care aimed at the body and mind, its longevity, health, beauty, fitness,  and aesthetic happiness. We have forgotten what our ancestors knew so well—the aim has always been achieving the good life, relishing in the beautiful moments, resting in between our wrestling, and encountering bodies not as adversaries but as wellsprings for the pleasures of this world, for living, loving and being loved; for the freedom to be on one’s own terms. Health is not something we owe to the world and yet the world seems hell bent on making us pay up. 

We are covered in the soot of grief and the ashes of mourning. We have come to realize behind every beautiful thing lurks the joy and the wound of the human condition: birth, love, death, dis-ease, grief, suffering, sickness, aging, sex, happiness, joy, and anger. The last couple of years have highlighted for each human being across the globe the temporality of the body, the joy of being human, and the great woundedness of humanity. Indeed, behind every beautiful thing is a hidden pain that we face both in our encounter with other bodies and in our isolated solidarity. We form a web—a web of human beings who are wrestling with the human condition and who are living in bodies that can take no more. These bodies have reached their limit of coercion, manipulation, medicalization, institutionalization, and disciplining from forces internal and external. This exhibition asks one to grapple with and question: What does it mean to be a human being, a self, a body? What does it mean to be healthy? What does it mean to be both embodied and not yet born to the realization of our individual and collective immensity?  What does it mean to be reduced to a body trapped in its quest for its own survival within the gaze of medicalization? Finally, is the beauty of the human experience worth the writhing joy and suffering of the human condition? 

The global proliferation of the Coronavirus and the extrajudicial murders of Black and Brown human beings at the hands of American law enforcement have forced us all to open our collective eyes to the pain of human suffering and collective dis-ease. We have come to understand, through our own grief and pain, the beauty of this human experience; we only realize the absolute joy of presence through absence; we come to experience the deepest depths of grief only because we have known the pinnacle of love. We come to value our health once we have been denied its embrace and we know without a shadow of a doubt that healing is a battle, because we have fought and are fighting so diligently for our return to healthiness and wholeness. 

"Behind Every Beautiful Thing: Encountering Bodies, Wrestling the Human Condition" is an invitation to step into the vortex of the human condition and of embodiment to make peace with not understanding; to make peace with difference; to make peace with our bodies and their limitations. Poet and author Sonya Renee Taylor, writes “We are not less valuable, worthy, or lovable because we are not healthy.” These artists from across the Gulf South steers us on a multimodal and multidimensional journey of the human experience where at every turn we encounter ourselves, our bodily oppression, shame, but also the pleasure and joy of being human, the longing for touch and absent embrace mournful for bodies no longer present. These artists speak to the grief that follows death or the tussle of mental dis-ease, and call us to resist the terror of our condition through expressions of healing that can destabilize our docility and institutionalized  notions of health. Behind Every Beautiful Thing is a reminder that there is no standard of health achievable for all bodies, we are all wrestling with the human condition, and an opportunity to peer painfully into the eyes of radical healing toward an embodied way of knowing.

Like the beauty behind everything, nothing can heal without pain. We acknowledge the heaviness of this exhibition, the emotions it will stir, and the dis-ease it may evoke within our bodies and psyches. If healing is a return to wholeness, then in our fragmented society each individual, and in turn the collective must turn their attention to where the wound was made and the spirit wounded. After you have experienced the exhibit, we invite you to ground and cleanse yourselves in the Gris Gris Lab: An Afrofuturist Apothecary, a healing vortex for power and release curated by Gris Gris Mama Gia M. Hamilton. 



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Art of the Cosmos- TEMPORARILY POSTPONED due to the COVID19 (coronavirus) state of emergency in California
Apr
22
to Aug 31

Art of the Cosmos- TEMPORARILY POSTPONED due to the COVID19 (coronavirus) state of emergency in California

Our Mission

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"At the intersection of Art and Science is where true discovery, creativity and innovation happen." ~ Simone Wright

MISSION: Art of the Cosmos

Through a powerful multi-media artistic event, Art of the Cosmos bridges art and science to provide a dynamic educational and creative experience meant to activate inquiry and generate enthusiasm about Space and the answers it holds for humanity.

Art of the Cosmos is a 4-month long event featuring International artists from vast and varied disciplines including painting, sculpture, photography, music, light, video, glass, multi-media and digital; all inspired by the powerful images of the Hubble Space Telescope.

The philosophy at the foundation of The Art of the Cosmos is that Art and Science are a part of a powerful Creativity spectrum, with Art existing at one end of the scale and Science at the other. The intersection where these two disciplines merge is where true and powerful Creativity is activated. Innovation, Imagination and Intuition emerge out of that center point and authentic discovery is made.

True Art has strong science built into it - and elevated Science at its heart, contains a great deal of art ... at their highest and best, neither can exist without the other. Art of the Cosmos cultivates this common ground to plant seeds of curiosity, creativity and collaboration in the artists and audience alike.

In addition to the multi-faceted art collection, the show will also feature ‘Art of the Mission’, which highlights some of the vibrant history and science behind the Hubble quest and introduces some of the future projects in development. Funds raised by Art of the Cosmos will be dedicated to Arts and Science scholarships and education.

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Peripheral: Edges and Boundaries
Jan
23
to Feb 22

Peripheral: Edges and Boundaries

Limitations inspire creativity. Edges—the periphery of awareness, skill, media use, capabilities, and concepts—form the mold that creative trailblazers attempt to define, expand, and break free of. In turn new edges are created, new limitations defined.

January 23: Special Preview,7-9pm

January 24: Public Opening Reception 6-9pm

February 21: Final Day of Exhibition

Manifest Gallery

2727 Woodburn Avenue; Cincinnati, Ohio

Tuesday-Friday: noon-7pm

Saturday: noon-5pm Closed Sunday and Monday

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Southern Threads
Sep
14
to Nov 23

Southern Threads

  • Southern Ohio Museum of Art and Culture (map)
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Southern Threads

Three Southern Artists take traditional fiber techniques to new heights, expanding their methods of working-piecing, appliqué and embroidery- creating personal vocabularies of materials, narratives and surfaces.

Anita Cooke, Nonny Oddlokken, Ruth Miller

Opening Reception: September 14, 2019 1-4pm.

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Shelf Life- Acadiana Center for the Arts
Aug
11
to Nov 10

Shelf Life- Acadiana Center for the Arts

Shelf Life is an exhibition that explores the consumption of ephemeral or consumer products, events and happenings in our every day life and repurposing, reuse, re-contextualizing, and reevaluating of these objects, ideas, events and ephemera into works of art.

The exhibition will run August 11- November 10, 2018, in Acadiana Center for the Arts Main Gallery. Located at 101 W. Vermillion Street in Lafayette, Louisiana

 

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Anita Cooke at Georgetown Art Center
Aug
10
to Sep 23

Anita Cooke at Georgetown Art Center

  • Georgetown Art Center (map)
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STRATA: SEWN TEXTILES, COLLAGE AND MIXED MEDIA By Anita Cooke

August 10- September 23, 2018

Artist Reception: Saturday August 11; 6-7, Members Only Reception; 7-9 Open to the Public

Free Admission

Artist Talk; Sunday, August 12; 2pm; Free Admission

Georgetown Art Center; 816 South Main Street; Georgetown, TX; 512-930-2583

GeorgetownArtCenterTX.org

 

 

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Louisiana Contemporary
Aug
4
to Nov 4

Louisiana Contemporary

  • Ogden Museum of Southern Art (map)
  • Google Calendar ICS

ON VIEW AUGUST 4 - NOVEMBER 4, 2018

OPENING RECEPTION: AUGUST 4

Join us for the opening reception of Louisiana Contemporary, Presented by The Helis Foundation on Hancock Whitney White Linen Night on August 4, 5:30 – 9:30 p.m. Come See the South!

Every August the Ogden Museum of Southern Art, in connection with Hancock Whitney White Linen Night, hosts its opening reception for its annual exhibition Louisiana Contemporary, Presented by The Helis Foundation.

The juror for the 2018 exhibition is Courtney J. Martin, Deputy Director and Chief Curator at the Dia Art Foundation.

Established in 2012, this statewide, juried exhibition promotes the contemporary art practices in the state of Louisiana, provides an exhibition space for the exposition of living artist’s work and engages a contemporary audience that recognizes the vibrant visual arts culture of Louisiana and the role of New Orleans as a rising, international art center.

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Fiber National 2018
Jul
23
2:30 PM14:30

Fiber National 2018

2nd Biennial Fiber National Exhibition
Juror: Rebecca Stevens, former Consulting Curator at the Textile Museum 

On View June 1 – July 29, 2018
Reception: Juror Talk and Awards Presentation: Saturday June 9, 6pm – 8pm

Workhouse Arts Center is pleased to announce the opening of Fiber National, a juried exhibition showcasing the best in contemporary fiber art from around the country. The 2nd biennial of the exhibition will highlight exciting, innovative artwork utilizing both traditional and non-traditional techniques. This year’s Juror is Rebecca A. T. Stevens, formerly the Consulting Curator, Contemporary Textiles at the Textile Museum (now George Washington University Museum – The Textile Museum) in Washington, D.C. The exhibition will be on view in the McGuireWoods Gallery from June 1 – July 29, 2018.

Juror Statement
The use of fiber as an art medium has waxed and waned in the past millennium. The recognition of fiber by the art world to evoke powerful emotions and concerns has accelerated in the last decade as critics discuss and curators organize exhibitions highlighting fiber in sculpture, installations and wall art. Critic Leslie Camhi opined in the New York Times, “The renewed embrace of fiber might have something to do with our increasingly virtual world, scrubbed freer everyday of human contact and face-to-face interactions. Textiles, in contrast, are earthy and inherently tactile.” The artists in this exhibition have found the tactile nature of fiber to be the perfect vehicle to give voice to their ideas and to relate those ideas to real people and the world around them.

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Biomimicry: Redefining Nature Through Art
Apr
2
to May 12

Biomimicry: Redefining Nature Through Art

Two pieces of mine, 'Totally Cellular (Circular Motion of the Universe)' and 'TimeWaves' will be on view in the Kavanagh Gallery at the the FineLine Creative Arts Center in St. Charles, Illinois. The opening Reception is Friday, April 6 from 6-8pm. 

Address: 37W570 Bolcum Road; St. Charles, Illinois; 60175. 630-584-9443

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Louisiana Contemporary at the Ogden Museum
Aug
5
5:30 PM17:30

Louisiana Contemporary at the Ogden Museum

Every August the Ogden Museum of Southern Art, in connection with Whitney White Linen Night, hosts its opening reception for its annual exhibition Louisiana Contemporary Presented by The Helis Foundation. Established in 2012, this statewide, juried exhibition promotes contemporary art practices in the state of Louisiana, provides exhibition space for the exposition of living artist’s work, and engages a contemporary audience that recognizes the vibrant visual culture of Louisiana and the role of New Orleans as a rising, international art center. The juror for 2017 is Shantrelle P. Lewis.

Strata: Undercurrent by Anita Cooke will be featured. 

 

 

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